The Amp Designer#

Describe the amp you want, and the Amp Designer gives you the whole build: a proven circuit with every value picked, the operating points, the transformers to buy, how much gain it has and where it breaks up, a voltage chart for troubleshooting, a sound you can listen to, and a placed and routed board.

The Amp Designer with Modern high gain selected
The Amp Designer. Choices on the left; the spec sheet, tone, gain, Listen and parts tabs on the right.

Open it with Amp › Amp Designer… (Ctrl+Alt+A), or New amp (guitar / bass)… on the start screen. Reopening it on a board it built loads that board's choices again.

Choosing the amp#

Everything on the left updates the right-hand side live.

What are you building?#

Guitar amp or Bass amp, Tube or Solid state.

The sound#

Voicing Character
Blackface clean Glassy, scooped mids and lots of clean headroom (Fender AB763 style). The tone stack sits right after the first stage, then the volume and a recovery stage into a 12AT7 long-tail phase inverter with negative feedback.
Tweed breakup Raw, mid-forward and touch-sensitive; breaks up early (5E3 / 5F1 style). Two gain stages, a single treble-cut tone control and a cathodyne phase inverter, no negative feedback.
Plexi crunch Bright, punchy British crunch (JTM45 / 1959 style). Partially bypassed gain stages, a cathode follower driving the Marshall tone stack, and presence on the feedback loop.
Chime Jangly, compressed top end with no negative feedback (Vox-style EL84 power stage).
British high gain (3 stages) JCM800 2203 style: the classic hard-rock and thrash sound. See High-gain amps.
Modern high gain (4 stages) In the spirit of the SLO-100: thick, saturated and articulate.
Extreme high gain (5 stages) 5150 / Rectifier territory, with a deeply scooped post-distortion EQ.
Bass (vintage tube) Deep, warm bass with headroom: a moderate-gain 12AX7 / 12AU7 preamp, a bass-voiced tone stack and a fixed-bias power stage with feedback.
Solid-state clean Op-amp preamp, Fender-style tone stack, LM3886 power amp: light, reliable, clean.
Solid-state drive Op-amp gain stage into soft diode clipping and a Marshall-style tone stack.
Solid-state bass Op-amp preamp with a deep bass tone stack, XLR DI output and speakON.

Under the list: the first preamp tube (V1: 12AX7 for full gain, or a lower-gain 5751, 12AY7, 12AT7 or 12AU7 for more headroom), and for the high-gain voicings the tightness (see High-gain amps).

The spec sheet follows every choice: here, clicking through the voicings.

Power#

Power stage Tubes Bias
5 W single-ended (Champ) 6V6GT Cathode
5 W single-ended EL84 Cathode
9 W single-ended 6L6GC or EL34 Cathode
15 W push-pull (Tweed Deluxe) 2 × 6V6GT Cathode
18 W push-pull 2 × EL84 Cathode
22 W push-pull (Deluxe Reverb) 2 × 6V6GT Fixed
30 W push-pull (AC30) 4 × EL84 Cathode
35 W push-pull 2 × 6L6GC or 2 × EL34 Cathode
50 W push-pull (Bassman / Pro, Marshall 50) 2 × 6L6GC or 2 × EL34 Fixed
75 W push-pull 2 × KT88 Fixed
100 W push-pull (Twin, Super Lead) 4 × 6L6GC or 4 × EL34 Fixed
Solid state LM3886 on ±24, ±28 or ±35 V rails (25 to 50 W) —

The power stages are tabulated, proven operating points (plate voltage, load impedance, idle current), not curve fits. Also here: the speaker impedance (4, 8 or 16 Ω) and the rectifier: automatic, a tube (5Y3GT, EZ81, 5AR4 or 5U4GB, picked for the current) or solid state.

Features#

Feature What you get
Master volume A master after the preamp, for distortion at bedroom levels
Bright cap The classic treble bleed across the volume or gain pot
Presence A presence control on the negative-feedback loop
Depth A resonance control on the feedback loop (high gain)
Effects loop A tube-buffered series loop with rear SEND and RETURN jacks
Filter choke A choke in the B+ filter chain, for less hum
Standby switch Heaters on, B+ off, during breaks
DC heaters The preamp tubes' heaters on filtered DC, so there's no heater hum in the input stages
XLR DI output An impedance-balanced DI for bass (on by default for bass voicings)
Feedback As designed for the voicing, off, light or normal

Details#

The mains voltage (230 V for Europe, the UK and Australia, 120 V for North America) sets the transformer windings and the fuse. A name goes on the spec sheet and the board.

What it works out#

The Your amp tab is the spec sheet. Everything in it updates live.

Sound and gain#

The output power, how loud that is (dB SPL at 1 m with a 100 dB/W speaker), the number of tubes and board parts, and a character line: clean, edge of breakup, crunch or high gain. Then each stage's gain, the input sensitivity, and where it breaks up: the position of the volume or gain knob where single coils, humbuckers (or passive and active bass pickups) start to distort.

Operating points#

The B+ chain from the rectifier to the last preamp node: each node's voltage, current, dropping resistor and filter capacitor (single 400, 450 or 500 V parts, or balanced series pairs when the switch-on voltage needs them). Plate and cathode voltages, idle current and plate dissipation for every tube. For fixed bias, the adjustable fail-safe bias supply, with 1 Ω measuring resistors in the power-tube cathodes.

What to buy#

The parts that don't go on the board: the power transformer (HV, heater and bias windings, and its VA), the output transformer (primary impedance and power), the choke, the mains fuse, the tubes, and the speaker.

Build help#

Details it takes care of#

Save spec sheet… saves it as HTML.

Tone#

The Tone tab plots the tone stack's frequency response as wired in this design, with live treble, bass and middle sliders: orange is your setting, grey all three controls at 5 and at 10. Voicings with a single treble-cut control (the tweed) say so instead.

The Tone tab

Gain and tightness#

For the high-gain voicings, the Gain & tightness tab plots how much low end reaches the distortion at every tightness setting, and what presence and depth do to the power amp. See High-gain amps.

The Gain & tightness tab

Listen#

The Listen tab plays the amp before you build it. The board the designer would build is simulated tube by tube, in a background process, with a modelled palm-muted metal riff or your own DI recording, then through a speaker-cabinet impulse response.

The Listen tab after a render

A render takes a few seconds: every tube is simulated at every sample, at twice the audio rate. Hear examples on the website.

Parts on the board#

The Parts on the board tab lists every part the board will carry, with quantity, value and footprint.

The Parts on the board tab

Build my amp#

Build my amp builds the board: it places every part, routes it (untick Autoroute the board to route it yourself), fills the ground pour, and annotates every net with its working voltage and current, so the high-voltage checks apply. The spec sheet goes into the project.

The board follows how amp boards are built:

The test suite designs every combination of voicing and power stage on every change, and places and routes a representative set with no DRC errors. When the high-gain voicings were added, a sweep of all 126 voicing and power combinations and 45 high-gain option combinations routed with no DRC errors too.

The Modern high gain 50 W example board
The Modern high gain 50 W example, built by the Amp Designer.

Three of the example amps were made this way: Amp › Open example amp › Plexi crunch 50 W, Modern high gain 50 W and Extreme high gain 100 W.

Safety#

Tube amps run at lethal voltages, and the filter capacitors hold them after switch-off. The designer's high-voltage rules follow IPC-2221B and common practice, but they don't replace a safety standard (IEC 62368-1 / UL) for the mains wiring. Keep the mains fuse, the switch and the transformer primary on the chassis, check that the bleeders discharge the caps, and measure before you touch anything. See Amp boards and high voltage.

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